My ceramic vessels function as both utilitarian and cultural objects. Throughout history we find similarities in form and surface embellishments of vessels that not only accentuate aesthetic qualities, but also elevate certain actions. I find inspiration in similarities drawn between works created by dislocated and sometimes disparate cultures. I am interested in the diasporic implications of common forms found throughout the world, that can be distilled, blended and melded to illuminate foundational human stories. The process of firing with wood imparts a deeper connection to ancient traditions which are a common thread in many cultural histories. To this process I add a colorful glaze palette which blankets historically imbued motifs and forms in more contemporary sensibilities. The resulting objects travel in time and space as functional landmarks in a complex and interconnected world.